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Raga Kirwani (Keeravani)
Kirwani is a raga, a musical framework, using C D Eb F G Ab B when Sa, its home note, is C. Heard in concerts, light classical music and film scores, it often suggests longing; listen for Ab rising to B, then C.
Raga Bhoop (Mohanam)
Bhoop, or Bhoopali, is a raga (melodic framework) using Sa, Re, Ga, Pa and Dha; Mohanam shares its notes, but uses Carnatic phrasing and ornaments. An evening raga with a calm, devotional mood, Bhoop is often taught early; hear its character through Ga Re Sa and Dha Pa Ga.
Raga vs scale: what Western musicians get wrong
A raga adds rules for movement, emphasis, identifying phrases and ornamentation to a scale or mode, a scale with a home note. Producers lose its identity when they treat it as a note list, ignore its tuning and phrasing, or let changing chords reshape the melody’s meaning.
What is a ghazal? Structure explained with two BeatRootRaga originals
A ghazal is poetry built from self-contained couplets, or pairs of lines, joined by rhyme and a shared pattern of line length and rhythm. When sung, a returning melody connects the couplets, while repeated lines, melodic changes and pauses give listeners time to hear the meaning.
Taal for beginners: teentaal, keherwa and dadra with clap patterns
A taal is a repeating rhythmic cycle: count 16 beats for teentaal, eight for keherwa, and six for dadra. For teentaal, clap on 1, 5 and 13, wave on 9; for keherwa, clap on 1, wave on 5; for dadra, clap on 1, wave on 4.
Sa Re Ga Ma: sargam explained for beginners
Sa, Re, Ga, Ma, Pa, Dha and Ni are Indian music’s seven basic notes; sargam means singing or writing melodies with these syllables. To read and sing sargam, choose your home Sa, follow the note names and octave marks, and recognise the natural, lowered and raised forms.
Krishna flute music: what bansuri meditation music is and how to listen to it
Krishna flute music usually means music on the bansuri, North India's bamboo flute, named for its association with Krishna in Hindu stories. In a slow piece, listen for held notes, slides and returns to Sa, the home note, against the drone, a steady reference sound.
Raga Hamsadhwani
Hamsadhwani is a five-note raga from the Carnatic tradition, using Sa, Re, Ga, Pa and Ni, or C D E G B with Sa as C. It often opens Carnatic concerts; hear its bright, devotional character by playing the notes over C and G, noticing B resolving to C.
What is a raga? A plain-language guide for listeners
A raga is a melodic framework in Indian classical music for creating pieces and inventing melody during performance. Listen for four things: which notes appear, how the melody moves, where the musician lingers, and which short phrases return.
Pallavi, anupallavi and charanam: the three parts of a Carnatic song
In a typical kriti, the main composed song form of Carnatic (South Indian classical) music, the pallavi is the opening section that returns. The anupallavi is the second section, developing the opening, while the charanam is the concluding section and usually the longest.
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