BeatRootRaga, the label

Taal for beginners: teentaal, keherwa and dadra with clap patterns

A taal is a repeating rhythmic cycle: count 16 beats for teentaal, eight for keherwa, and six for dadra. For teentaal, clap on 1, 5 and 13, wave on 9; for keherwa, clap on 1, wave on 5; for dadra, clap on 1, wave on 4.

What is a raga? A plain-language guide for listeners

A raga is a melodic framework in Indian classical music for creating pieces and inventing melody during performance. Listen for four things: which notes appear, how the melody moves, where the musician lingers, and which short phrases return.

Thaat and melakarta explained

A thaat in Hindustani music and a melakarta in Carnatic music are seven-note parent scales used to organise ragas, the melodic frameworks musicians perform. Hindustani music uses 10 practical categories, while Carnatic music uses 72 allowed scale combinations; these help identify note relationships, not a raga’s phrases or character.

Raga Kirwani (Keeravani)

Kirwani is a raga, a musical framework, using C D Eb F G Ab B when Sa, its home note, is C. Heard in concerts, light classical music and film scores, it often suggests longing; listen for Ab rising to B, then C.

Raga Hamsadhwani

Hamsadhwani is a five-note raga from the Carnatic tradition, using Sa, Re, Ga, Pa and Ni, or C D E G B with Sa as C. It often opens Carnatic concerts; hear its bright, devotional character by playing the notes over C and G, noticing B resolving to C.

Raga Bhoop (Mohanam)

Bhoop, or Bhoopali, is a raga (melodic framework) using Sa, Re, Ga, Pa and Dha; Mohanam shares its notes, but uses Carnatic phrasing and ornaments. An evening raga with a calm, devotional mood, Bhoop is often taught early; hear its character through Ga Re Sa and Dha Pa Ga.