Glossary · glossary · 1 min read
Sthayi
स्थायी; the first part of a bandish
Sthayi is the first section of a Hindustani classical composition. It stays mostly in the lower and middle range and serves as the refrain, the part that returns.
By SJN, Founder, BeatRootRaga · Reviewed by BRR · Last reviewed 27 Sept 2026
What does sthayi mean?
The sthayi is the first section of a Hindustani classical composition. It stays mostly in the lower and middle range of notes. It also serves as the refrain, the part that returns as the music continues.
For example, a singer returns to the sthayi line between improvised passages. Listen for that repeated line, rather than only following each new passage. Its return is your cue.
The sthayi is paired with the antara, the section that explores the upper range before returning to the sthayi. Listen for that movement back to the opening section.
This is a short definition with one example. For the full explanation, follow the linked BeatRootRaga learning page.
Where to read more about sthayi
Read Mukhda and antara: how a film song is built for the full explanation. The page follows the connection between the classical form and a film song’s returning opening section.
The sthayi is the first section of a Hindustani classical composition. It stays mostly in the lower and middle range and returns as a refrain. Film composers kept the two-part idea, calling the refrain the mukhda. In a typical Hindi film song, the antara is a verse with new words and melody.
Keep going
- Mukhda and antara: how a film song is built · In a typical Hindi film song, the mukhda is the returning opening section, while an antara is a verse with new words and melody. This pattern comes from Hindustani classical music; listen for the verse climbing higher, then leading back to the opening tune.
